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Abonnenten, 12 folgen, 24 BeitrÀge - Sieh dir Instagram-Fotos und -Videos von Alaura Grey (@officialalauragrey) an. Apr 4, - This Pin was discovered by Christian Klinger. Discover (and save!) your own Pins on Pinterest. - Christian Klinger hat diesen Pin entdeckt. Entdecke (und sammle) deine eigenen Pins bei Pinterest. Personen mit dem Namen Alaura Grey aus San Francisco anzeigen. Tritt Facebook bei, um dich mit Alaura Grey und anderen Personen, die du kennen. Profile von Personen mit dem Namen Alaura Grey anzeigen. Tritt Facebook bei, um dich mit Alaura Grey und anderen Personen, die du kennen könntest, zu.

Alaura grey

- Alaura Grey - Lovin' Ms. Grey's Anatomy - Le royaume des Gros Seins. First On-camera Xxx For Alaura Grey Alaura Grey – First On-Camera XXX For Alaura Grey – p Heavy Hangers X Cut 4 – Anna Beck, Anna. Yea sorry. I'll have to make a new one. It's the second one to be taken down. Does that happen often to anyone else?? 2 Antworten 0 Retweets 1 GefĂ€llt mir. Alaura grey

Its restraint is more inviting and much sexier than the bolder, brighter Tony Bennett version. As famed stripper Gypsy Rose Lee said, always leave your audience wanting more.

Many of the richest, deepest songs about love are the ones based on loss and longing. If you find yourself feeling scarred or let down by life and love, know this: you are not alone, and the pain of lost love will heal.

Acts of loving kindness set in motion by good-hearted people reverberate through time; they are carried in the hearts of the people whom we touch with our love and our music long after we ourselves are gone.

Icicles, those shimmering, elemental, diamond-like structures, may be nothing but water, but they can turn deadly in the right circumstances.

You hear the cracking of tree limbs weighed down by their icy shrouds, the lowing of frightened animals in the barn, and your mind turns to the stories your grandmother told you about the spirits of the forest, the demons, the maleficent influence of the long dark nights, the wild animals, the errant hunters.

This is the sound of VÀrttinÀ. Over thirty years ago Finnish sisters Sari and Mari Kaasinen took their love of Finnish and Karelian southeastern Finnish folklore and decided to add music to their recitations of poetry and epic stories.

Yet there is an intense and dramatic quality to their music, and their precision and power bring joy to what could otherwise be a jarring, even disturbing sound.

Finland had an ancient tradition of oral storytelling and poetry, but it was overshadowed by the rise of European-style rhymed written poetry around the 18th century.

The poem, first published in , is the national epic of Karelia and Finland. The region spent ages under the thumb of Swedish and later Russian domination, and the compilation of stories into the Kalevala made it easier for Finns to share and treasure their history.

I was captivated by the complexity of the rhythms, the unexpectedly bold and dissonant yet beautiful voices, and the joy of hearing rapid-fire Finnish, which was the first language of my beloved grandmother.

She had sung to me in Finnish when I was a little girl, and I played and sang Finnish folk songs to her at the piano during my teens, though those songs were nothing like the wild, animalistic, galloping folksongs of VÀrttinÀ.

But there is also an indomitable spirit to be witnessed and savored in their arts, and a powerful desire to face down death in order to reaffirm the life force.

VÀrttinÀ adds a strong feminist element to this desire to acknowledge but laugh in the face of death. Many who could gather together enough money to leave came to America, resulting in nearly a million poor Irish immigrants arriving on American shores during the famine years alone.

This caused an upswelling of nativist hatred, bigotry and violence toward the Irish that took decades to abate.

Russia is developing smart rockets that could send nuclear warheads to the U. Recent reports say that Putin already has the ability to shut down parts of our power grid.

We now have evidence that Russia infiltrated U. The U. Russia is already at war with us. And our Republican leadership is actively aiding the enemy.

We are woefully unprepared for what is coming. Fear has led too many to support a sociopathic authoritarian president who purposely confuses and stokes mass hatred.

Our system was not built for a mass breakdown in faith or for takeover by a party that actively subverts the rule of law. I often fear that we may not rally enough to recover, short of civil war and invasion by foreign oppressors that might inspire us to fight back.

But the invasion is underway, and all we have to show in response is Speaker of the House Nancy Pelosi biding her time and Democratic candidates saying nice words while the president and his cronies dismantle our nation.

Those who run this country in our names make sure that children are left abandoned in the streets or tortured in cages , ripped away from parents, forced to live in filth, then made to disappear.

Trump writes love letters to murdering dictators and alienates all of our major allies. He fires heads of major government agencies and never replaces them in a dictatorial move to centralize all power under himself.

He is spitting on the Constitution, on the values of equality and respect for diversity that we hold dear, and on everyone who has sacrificed to build this nation, safeguard it , and uphold its laws and ideals.

Our country is convulsing, and we wring our hands but deny it the care it needs to survive. We are in an undeclared state of emergency. We must remove Trump from power as fast as is constitutionally possible.

We will still have divisiveness and hatred and homegrown terrorism to deal with—we will not be out of the woods.

But stopping this madman is a necessary first step. Congressman Jerrold Nadler says an impeachment investigation is underway. Please let your senators and House representatives know that you support this effort.

Please speak out against the evil done in your name. Please vote against the terrorist-in-chief and his enablers. I was commuting about 10 hours a week and I hate driving , and the job required intense focus on thousands of important details.

I learned a lot, the people were kind and helpful, and the work they did was important, but I felt out of place, frustrated, and blue.

Of course, while my brain understood all this, my heart felt cranky and sad. And then I had my Sammy Davis Jr. To try to make the hours in stop-and-go traffic feel less gruesome, I realized I needed to find fresh and uplifting tunes.

I must digress at this point. Are you already asking yourself, why would Laura buy Sammy CDs in the first place? Well, because I heard one of his songs in a store somewhere and was reminded what a fine voice and a great sense of expression, style, and warmth he had at his best moments.

The many TV appearances he made during the s and s were so filled with Vegas schlock and corny overstylization that he was almost a self-parody by the time I started listening to music in earnest.

But when I heard him singing over the speakers at some chain store I thought, damn, no wonder this man was so popular. Listen to the feeling he puts into that line!

What clear, clean enunciation! What sophisticated, tasty phrasing! So I swallowed my pride and hung out at a CD store listening station for a half hour, listening to selections from a number of his albums.

I bought two, one of ballads and one of swingier songs. What a good move that was. But then I got distracted and hardly listened to them.

Anyway, back to my commute-hour epiphany. His syncopation is so sure and it builds right up to the payoff moments. He knows when to pull back a little and when to let it rip.

The intonation and enunciation are beautiful, but beyond his technical chops, he works the lyrics just right.

He was sizzling and I was thrilled, sitting in a traffic jam on a bridge near Seattle at a. I must have listened to that song six times in a row on the way into work.

The words crept into my brain and Boom! I had a revelation. But somehow, sung with that bravado and joy and excitement and underscored by that hot band, the lyrics spoke to me:.

I heard it, and I believed it. I figured, hey, this slight man had a four-pack-a-day cigarette habit, a glass eye, grew up without his mom, had to deal with racism from day one, and had to perform in hotels that he was barred from sleeping in because of the color of his skin until he became a big name and helped break the color barrier in show business.

And man, did he love life. He sang every song as if he lived it. And he meant every word. He brought fun and swing and life into everything he sang.

His desire to please everybody and be up, up, up all the time cheapened his rep in the eyes of many of us, but the joy he brought to life , the beauty he found in it and made for others.

That devotion to wringing every drop from it reminded me how lucky I was and how many wonderful things are around for me to enjoy. In a roundabout way, I have Sammy to thank for inspiring me to start this site.

The wham of Sam, indeed! Today film legend Sidney Poitier turns He could have given extraordinary performances about any subjects, but Hollywood sought him out especially to help white audiences challenge their prejudices and rethink their unwitting racism.

Movie studios of the s took the pulse of the culture and wanted to find a beautiful black man who seemed unimpeachably smart, brave, honest, talented and appealing—in short, a perfect black man—to make their characters come to life.

But they got so much more. They got someone who felt real, natural, wise and good. There was no stiffness, no artifice, no arrogance.

He was powerful, but not through violence—through reason, through integrity, through courage. But his talent, grace, insight, subtlety and decency allowed him to break through to people who seemed unreachably, permanently prejudiced at a time when America needed that more than anything.

His performances were wonderful in their own right, but their influence on culture spread the importance of his characterizations far beyond the range of mere entertainment.

The story sometimes gets a bit mawkish or obvious, and some of the other performances run a little over the top, but Poitier never does.

As always, he gives it a quiet intensity, a sweet humor and a still, warm, humane focus. This scene is one of the least dramatic in the film, but it shows perfectly how Poitier tells you everything you need to know about his character through his everyday expressions of humor and decency.

It is in these small, perfect moments in each of his films that he becomes real, universal, a man we can all admire, a man we want in our own families.

He could convincing play a friend, a romantic partner, an officer of the law, a builder of buildings and emotional bridges—someone we would all want in our lives.

He was the honorable authority, the advisor, the father figure, a man who was always attractive and alluring but not overly sexualized, intense but not out of control.

He was a black man who was both able and allowed to play an ideal man. And that changed everything. We often see photos of Dr. Martin Luther King, Jr.

But he was a man who loved to laugh and who had great joy in his heart. His short, determined life involved constantly facing down injustice and living with fear and struggle, sure—but he loved laughter and fun, good food and good music as much as anyone.

He was a real, flesh and blood human being, not a stoic saint immune to the pain and difficulty around him. The fact that he had piles of stale, cooling food sitting on the table and as the White House butler lit candelabra around them is as nothing to the horrid things he does each day.

The ridiculousness of having staff portion French fries out in tiny water cups with th e Presidential seal on them is laughable, but not earth-shattering.

But we should note his total inability to tell the truth even in the most mundane and verifiable circumstances. We should never assume that he will be honest or do the right thing in any particulars, ever.

We should assume that he will pull the whole world down to make a point if we let him. Photo by Matt Collamer on Unsplash.

Ms Laine has given her trolley duties the push and now strips off for an adult internet channel called Studio 66, which has studios in Chiswick, west London.

She'd do it whenever she had some free time wherever she was in the world. But the hostess pictured moaned on social media that constant flying was 'too tiring'.

She also strips for another website called My FreeCams. When contacted, Ms Laine declined to make any comment on leaving BA for her new career in the adult industry.

However, just before her Studio 66 TV debut, she tweeted: 'When I was just a webcam model I felt so stress free, just working on my own pace and living comfortably.

And last month, having made her big breakthrough, she tweeted: 'I feel very lucky I have the best and most open minded family and friends.

Stigma is still an issue in sexwork. A friend said: 'She's very open with what she does and she loves the attention. British Airways said she does not work for them - but refused to confirm whether she was ever in their employment.

However a series of images show her wearing a BA uniform posing with other stewardesses. Back to being a full time model I think. In the national airliner carried out an investigation into a video which appeared to show two women wearing BA uniforms washing each other in a bath tub.

The eight-minute video was filmed in a hotel room during what was claimed to be a layover between flights. BA said they had no evidence the two women were or had ever been employees.

Argos AO. Share or comment on this article: British Airways hostess quits job to be webcam porn star e-mail 6k.

AI scanners monitor pedestrian's social distancing 'I feel disabled': Long Covid sufferer's on life since falling ill Animal circus trainer caught 'dragging exhausted dog by the collar' Crowds gather in Leicester Square ignoring social distancing Kim Jong-Un attends parade for 75th anniversary of Workers' Party Chair of UK Vaccine Taskforce on 'encouraging early signs' Suspect drives over a police car in daring escape.

More top stories. Bing Site Web Enter search term: Search. Today's headlines Most Read 'The drinks are on me but Public Health England are in charge of payment methodology so I will not be paying Searching for submarines?

Unmanned 'spy ship' powered by solar energy and designed to avoid detection is Let's wake up and wipe out wokery!

US plans to 'open a "travel corridor" between New York and London in time for the holidays thanks to Will Santa Sunak let family groups of 12 join together over Christmas?

Britain to deploy nets to 'disable' dinghies and send migrants back across the Channel Colonial legacy of Admiral Lord Nelson and the Royal Navy's links to slavery 'to be re-evaluated' by George Michael's 'devastated' family vow his ex-lover Kenny Goss will get nothing after he sued the late The wife with 1, ways to kill her enemies: Barbara Amiel - wife of disgraced tycoon Conrad Black - says Schoolchildren are banned from singing Happy Birthday in the classroom over fears it could spread Grazia magazine sacks its new 'diversity champion' for posting anti-Semitic Twitter rants - including one Woman begs for advice as she reveals her smelly flatmate hasn't showered since moving in and her bedroom

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The songs reflected and expanded on the stories of the main characters and had scary parallels to the Nazi-inflicted horrors going on in the streets of Berlin just outside the doors of the cabaret.

The musical numbers by John Kander and Fred Ebb are perfectly attuned to the zeitgeist of s Berlin, and are gems in and of themselves.

They also expand on, deepen and enrich the power of the story in ways that few composers for musical theater ever achieve.

The team of Kander and Ebb had a wonderful knack for drinking in the style and feel of the music of the past and then creating their own versions of those songs so that they felt completely authentic but were also entirely original.

John Kander has said that when he was preparing to compose the music for plays like Chicago which takes place in the s or Cabaret which is set in the s , he liked to immerse himself in the music of the time and listen to it so fully, deeply and constantly that it filled his brain.

He then put it aside completely for a while and let it marinate and stew, and then when he began to write, the influences and motifs of that time period would wend their ways into his songs naturally, so he could compose comfortably in a fashion that had gone out of style forty years before.

I saw a stage production of the show featuring Joel Grey the Tony- and Oscar-winning original Emcee over 25 years ago, but the song never stuck with me until I saw Alan Cumming sing it last June in full drag in the astounding revival of Cabaret that is currently finishing up its run at Studio When he stood at the microphone in his shimmering dress and heavy makeup, he was mesmerizing.

The costumes are ripped, the makeup is smeared, the voices are gritty and the desperate quality of the characters is more evident and affecting than in the prettier, cleaner film version and earlier stage productions.

In earlier productions of the show, Joel Grey held every eye and commanded attention with his strange, sexless, voyeuristic portrayal of the Emcee: he was an outsider laughing and smirking at the performers and the audience in a detached, amoral way.

The outsider Emcee of Joel Grey acted like a Greek chorus, pointing us at the depths of degradation others went to to shield their eyes from the ugliness of the outside world.

At first, as he stands in a dress and full makeup, the audience sometimes laughs at his outlandishness, thinking this is just another lark, a humorous way to remind us of the fluid and open sexuality of decadent pre-World-War-II Berliners.

But in short order, his rough voice tells us that his kisses mean nothing. His comforts can be bought as a way to keep shoes on his feet and food in his stomach, but they mean little more to him:.

There are many fine versions of this song; the Ella Fitzgerald and Billie Holiday versions are classics. My own favorite is the simple version recorded by Elvis Costello with nothing more than an acoustic guitar early in his career.

The song is sung to passersby as a come-on, much as flower sellers or strawberry sellers used to hawk their wares :.

Love for sale, Appetizing young love for sale. Who will buy? Who would like to sample my supply? Love for sale. The song was banned from the radio in the s, but it became a hit for multiple artists in the following two years nonetheless, and it has been recorded by scores of major singers in the decades since.

Even k. The faded, jaded quality deepens as the song progresses:. Let the poets pipe of love in their childish way, I know every type of love Better far than they.

Most of us know the driving, original version of the plaintive call by a lover to his streetwalker sweetheart to give up her career to be with him and him alone.

In it, Sting, accompanied only but his own spare, loose guitar playing, wails with so much more hopeless yearning than in the original song.

His pain is greater, and his angst is so thick it hangs in the air and echoes along with his desperate voice.

The performance is a tour de force that still gives me chills. Elvis Costello is not the only musician in his family who can sing despairingly of the shattered dreams and desperate acts of those who walk the streets for money.

I walk along the street of sorrow The boulevard of broken dreams Where gigolo and gigolette Can take a kiss without regret So they forget their broken dreams You laugh tonight and cry tomorrow When you behold your shattered schemes Gigolo and gigolette Wake up to find their eyes are wet With tears that tell of broken dreams.

Gigolos and gigolettes were considered just one step, if that, from prostitution. A gigolo is, by definition, a man who seeks the company and monetary support of wealthy people usually women who pay him for his charms.

This song is often sung with swelling passion and force, such as in the version by Tony Bennett , but I think the slow, melting version sung by crackle-voiced alto Diana Krall is the most haunting version of them all.

Its restraint is more inviting and much sexier than the bolder, brighter Tony Bennett version. As famed stripper Gypsy Rose Lee said, always leave your audience wanting more.

Many of the richest, deepest songs about love are the ones based on loss and longing. If you find yourself feeling scarred or let down by life and love, know this: you are not alone, and the pain of lost love will heal.

Acts of loving kindness set in motion by good-hearted people reverberate through time; they are carried in the hearts of the people whom we touch with our love and our music long after we ourselves are gone.

Icicles, those shimmering, elemental, diamond-like structures, may be nothing but water, but they can turn deadly in the right circumstances.

You hear the cracking of tree limbs weighed down by their icy shrouds, the lowing of frightened animals in the barn, and your mind turns to the stories your grandmother told you about the spirits of the forest, the demons, the maleficent influence of the long dark nights, the wild animals, the errant hunters.

This is the sound of VÀrttinÀ. Over thirty years ago Finnish sisters Sari and Mari Kaasinen took their love of Finnish and Karelian southeastern Finnish folklore and decided to add music to their recitations of poetry and epic stories.

Yet there is an intense and dramatic quality to their music, and their precision and power bring joy to what could otherwise be a jarring, even disturbing sound.

Finland had an ancient tradition of oral storytelling and poetry, but it was overshadowed by the rise of European-style rhymed written poetry around the 18th century.

The poem, first published in , is the national epic of Karelia and Finland. The region spent ages under the thumb of Swedish and later Russian domination, and the compilation of stories into the Kalevala made it easier for Finns to share and treasure their history.

I was captivated by the complexity of the rhythms, the unexpectedly bold and dissonant yet beautiful voices, and the joy of hearing rapid-fire Finnish, which was the first language of my beloved grandmother.

She had sung to me in Finnish when I was a little girl, and I played and sang Finnish folk songs to her at the piano during my teens, though those songs were nothing like the wild, animalistic, galloping folksongs of VÀrttinÀ.

But there is also an indomitable spirit to be witnessed and savored in their arts, and a powerful desire to face down death in order to reaffirm the life force.

VÀrttinÀ adds a strong feminist element to this desire to acknowledge but laugh in the face of death. Many who could gather together enough money to leave came to America, resulting in nearly a million poor Irish immigrants arriving on American shores during the famine years alone.

This caused an upswelling of nativist hatred, bigotry and violence toward the Irish that took decades to abate. Russia is developing smart rockets that could send nuclear warheads to the U.

Recent reports say that Putin already has the ability to shut down parts of our power grid. We now have evidence that Russia infiltrated U.

The U. Russia is already at war with us. And our Republican leadership is actively aiding the enemy. We are woefully unprepared for what is coming.

Fear has led too many to support a sociopathic authoritarian president who purposely confuses and stokes mass hatred. Our system was not built for a mass breakdown in faith or for takeover by a party that actively subverts the rule of law.

I often fear that we may not rally enough to recover, short of civil war and invasion by foreign oppressors that might inspire us to fight back.

But the invasion is underway, and all we have to show in response is Speaker of the House Nancy Pelosi biding her time and Democratic candidates saying nice words while the president and his cronies dismantle our nation.

Those who run this country in our names make sure that children are left abandoned in the streets or tortured in cages , ripped away from parents, forced to live in filth, then made to disappear.

Trump writes love letters to murdering dictators and alienates all of our major allies. He fires heads of major government agencies and never replaces them in a dictatorial move to centralize all power under himself.

He is spitting on the Constitution, on the values of equality and respect for diversity that we hold dear, and on everyone who has sacrificed to build this nation, safeguard it , and uphold its laws and ideals.

Our country is convulsing, and we wring our hands but deny it the care it needs to survive. We are in an undeclared state of emergency.

We must remove Trump from power as fast as is constitutionally possible. We will still have divisiveness and hatred and homegrown terrorism to deal with—we will not be out of the woods.

But stopping this madman is a necessary first step. Congressman Jerrold Nadler says an impeachment investigation is underway. Please let your senators and House representatives know that you support this effort.

Please speak out against the evil done in your name. Please vote against the terrorist-in-chief and his enablers. I was commuting about 10 hours a week and I hate driving , and the job required intense focus on thousands of important details.

I learned a lot, the people were kind and helpful, and the work they did was important, but I felt out of place, frustrated, and blue.

Of course, while my brain understood all this, my heart felt cranky and sad. And then I had my Sammy Davis Jr. To try to make the hours in stop-and-go traffic feel less gruesome, I realized I needed to find fresh and uplifting tunes.

I must digress at this point. Are you already asking yourself, why would Laura buy Sammy CDs in the first place?

Well, because I heard one of his songs in a store somewhere and was reminded what a fine voice and a great sense of expression, style, and warmth he had at his best moments.

The many TV appearances he made during the s and s were so filled with Vegas schlock and corny overstylization that he was almost a self-parody by the time I started listening to music in earnest.

But when I heard him singing over the speakers at some chain store I thought, damn, no wonder this man was so popular. Listen to the feeling he puts into that line!

What clear, clean enunciation! What sophisticated, tasty phrasing! So I swallowed my pride and hung out at a CD store listening station for a half hour, listening to selections from a number of his albums.

I bought two, one of ballads and one of swingier songs. What a good move that was. But then I got distracted and hardly listened to them.

Anyway, back to my commute-hour epiphany. His syncopation is so sure and it builds right up to the payoff moments.

He knows when to pull back a little and when to let it rip. The intonation and enunciation are beautiful, but beyond his technical chops, he works the lyrics just right.

He was sizzling and I was thrilled, sitting in a traffic jam on a bridge near Seattle at a. I must have listened to that song six times in a row on the way into work.

The words crept into my brain and Boom! I had a revelation. But somehow, sung with that bravado and joy and excitement and underscored by that hot band, the lyrics spoke to me:.

I heard it, and I believed it. I figured, hey, this slight man had a four-pack-a-day cigarette habit, a glass eye, grew up without his mom, had to deal with racism from day one, and had to perform in hotels that he was barred from sleeping in because of the color of his skin until he became a big name and helped break the color barrier in show business.

And man, did he love life. He sang every song as if he lived it. However a series of images show her wearing a BA uniform posing with other stewardesses.

Back to being a full time model I think. In the national airliner carried out an investigation into a video which appeared to show two women wearing BA uniforms washing each other in a bath tub.

The eight-minute video was filmed in a hotel room during what was claimed to be a layover between flights. BA said they had no evidence the two women were or had ever been employees.

Argos AO. Share or comment on this article: British Airways hostess quits job to be webcam porn star e-mail 6k.

AI scanners monitor pedestrian's social distancing 'I feel disabled': Long Covid sufferer's on life since falling ill Animal circus trainer caught 'dragging exhausted dog by the collar' Crowds gather in Leicester Square ignoring social distancing Kim Jong-Un attends parade for 75th anniversary of Workers' Party Chair of UK Vaccine Taskforce on 'encouraging early signs' Suspect drives over a police car in daring escape.

More top stories. Bing Site Web Enter search term: Search. Today's headlines Most Read 'The drinks are on me but Public Health England are in charge of payment methodology so I will not be paying Searching for submarines?

Unmanned 'spy ship' powered by solar energy and designed to avoid detection is Let's wake up and wipe out wokery! US plans to 'open a "travel corridor" between New York and London in time for the holidays thanks to Will Santa Sunak let family groups of 12 join together over Christmas?

Britain to deploy nets to 'disable' dinghies and send migrants back across the Channel Colonial legacy of Admiral Lord Nelson and the Royal Navy's links to slavery 'to be re-evaluated' by George Michael's 'devastated' family vow his ex-lover Kenny Goss will get nothing after he sued the late The wife with 1, ways to kill her enemies: Barbara Amiel - wife of disgraced tycoon Conrad Black - says Schoolchildren are banned from singing Happy Birthday in the classroom over fears it could spread Grazia magazine sacks its new 'diversity champion' for posting anti-Semitic Twitter rants - including one Woman begs for advice as she reveals her smelly flatmate hasn't showered since moving in and her bedroom Last orders before curfew!

Boris Johnson calls in the Covid vigilantes as millions in North and Midlands Firms hire private investigators to spy on staff working from home to see if they're lying when they claim All out Revellers play cricket in the street and Piccadilly Circus turns into a rave as The City of London is dying on its feet - so why is its Labour Mayor piling on the pain?

For years, MoS Rise in Britons being treated with Covid in hospital is partly driven by them catching it on wards, figures Exposed: Whistleblower reveals how East European crooks are stealing millions in Covid handouts - including Dettol makes Rule of Six ad blunder after its latest commercial

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